‘La Bola Negra’ Review: Triumphs and Tribulations Plague & Elevate Queer Epic

BY DANTE ALVAREZ

OCTOBER 27, 2026 4:58 EST

"La Bola Negra"

©Netflix

While working on their latest feature film, the directing duo known as Los Javis (Javier Calvo and Javier Ambrossi) ended their 13-year-long relationship. On top of this, they were on set when they decided to end it. Instead of fueling a bitter train wreck, Los Javis have gifted the world with a meditative and melancholic examination of the queer experience. Despite it being a cathartic experience, the heavy inspiration from Spanish poet and playwright Federico García Lorca may be the reason the film reminisces on familiar territory, and as a result, stays on the surface for the most part.

The palatable script is surprisingly sustained by a quiet approach to many harrowing situations. Gris Jordana’s camerawork stays smooth throughout as it feels more stationary than it really is. The film’s music, however, constantly contracts the peace built by the camera as it boasts and dramatizes itself. Raül Refee’s score paints vivid explosions, details somber intimacies, and captures love and loss. The technical side of it clashes with the script gracefully, leaving the film with a unique stage-like feeling. There is a clear line of communication between script and execution, which is unfortunately not as impressive with a watered down screenplay.

Although the film’s story is intricate and beautiful, the script struggles to develop its supporting characters. At 159 minutes, it definitely takes its time to build the world that each personality occupies. The different eras, supported by gorgeous production design, are distinct and excellently done, but the film does not give love to its other players. Many characters are not fully explored, and the script does not dig deep enough to deliver overall.

"La Bola Negra"

©Netflix

Albeit the confounding endeavor, one of the most striking aspects of the script is its restraint. Many details are thrown at the audience within the first half in order to create a satisfying and emotional conclusion. It is not flashy about many of its reveals, but the masterful editing does not let them go unnoticed. The rhythm and tone’s idiosyncratic tendencies elevate the soothing nature. By the end of it, the film resembles a lullaby or a night time story that is sure to stay with many for a long time.

Guitarricadelafuente, alongside the entire ensemble, brings a natural and heartbreaking layer. The ensemble blends together, and they all live and breathe in a state of harmony. The smaller roles (Glen Close, Penélope Cruz, and Alberto Cortés) leave a lasting impression on the audience. Guitarricadelafuente also impressively provides the film with an original piece, “La Nieve”, which perfectly suits the film’s emotional climax. Consequently, ‘La Bola Negra’ ends on a powerful moment.